Publikationsserver
Performing Immobility in Contemporary Palestinian Theatre
After the Oslo Accords (1993-1995), Palestine has witnessed the consolidation of a closure regime that limits the freedom of movement of its population. This system has located Palestine in a marginal position within the global patterns of mobility and has had an impact in the internal social dynami...
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| Xuất bản năm: | Middle East - Topics & Arguments |
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| Tác giả chính: | |
| Định dạng: | Artikel (Zeitschrift) Daten |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Philipps-Universität Marburg
2015
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| Những chủ đề: | |
| Truy cập trực tuyến: | Xem bản ghi Truy cập trực tuyến |
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| Tóm tắt: | After the Oslo Accords (1993-1995), Palestine has witnessed the consolidation of a closure regime that limits the freedom of movement of its population. This system has located Palestine in a marginal position within the global patterns of mobility and has had an impact in the internal social dynamics and in artistic representation. Theatre can portray, represent and challenge this process of immobilization. Through the analysis of the play Confinement, produced by Al-Harah in 2010, this paper will analyze how theatre can open new spaces of representation which allows alternative narratives within the intricate panorama of the Israeli occupation. |
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| DOI: | 10.17192/meta.2015.5.3430 |