Publikationsserver
Performing Immobility in Contemporary Palestinian Theatre
After the Oslo Accords (1993-1995), Palestine has witnessed the consolidation of a closure regime that limits the freedom of movement of its population. This system has located Palestine in a marginal position within the global patterns of mobility and has had an impact in the internal social dynami...
সংরক্ষণ করুন:
| প্রকাশিত: | Middle East - Topics & Arguments |
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| প্রধান লেখক: | |
| বিন্যাস: | Artikel (Zeitschrift) Daten |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Philipps-Universität Marburg
2015
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | নথি দেখুন অনলাইন ব্যবহার করুন |
| ট্যাগগুলো: |
ট্যাগ যুক্ত করুন
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
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| সংক্ষিপ্ত: | After the Oslo Accords (1993-1995), Palestine has witnessed the consolidation of a closure regime that limits the freedom of movement of its population. This system has located Palestine in a marginal position within the global patterns of mobility and has had an impact in the internal social dynamics and in artistic representation. Theatre can portray, represent and challenge this process of immobilization. Through the analysis of the play Confinement, produced by Al-Harah in 2010, this paper will analyze how theatre can open new spaces of representation which allows alternative narratives within the intricate panorama of the Israeli occupation. |
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| ডিওআই: | 10.17192/meta.2015.5.3430 |